Monday, January 30, 2006

Adam Dreams of Shane



Something within us perceives Venus as
A morning star: a planet rising in
The east over the hills through the hills
Over the clouds through the sky;
In waking and in dream
To have no hope in the future gives
Consistency to the present
Alan Ladd knew that.

We mount the horse and become afraid
Of height afraid of the huge animal
Supporting our fragile weight afraid of the surge of
Potential power afraid of having no
Control over this thing this alive
Beast this natural mode of transportation.
Jean Arthur knew that.

The objects in this world: devoid of consciousness
Ignorant of the eventual backward
Movement of flesh to water of bones to
Earth of mind to air; & the intonation of
The voice (we will miss especially) retreats as
This profound sorrow of decision-making ceases.
Van Heflin knew that.

What he remembers through seeing
What he realizes not knowing
What within us perceives
Becomes what the boy wants
The boy craves.

-- Jeff Wietor

Sunday, January 29, 2006

Feeling Convivial Miu Miu Mulls Upon Mason's Stride



Miu Miu Altoids Apple Sours
Seven fingers a whisker a moustache
O you O you My Darling Brad
Where Have You Gone

Today Is: a rosary of roses
Garuda flies North
Thelma, upon her adoption was renamed
Ananda is named Ananda

Ignore narrative if you want the poem
to live longer than you
Phlebas the Phoenician,a fortnight dead,
knew that and how

Consider Phlebas, who was once handsome and tall as
you.


When Connie got back from India
the first thing she said was:
"I've had it up to here with Supermind"
then gestured her hand flying
over her head

I sensed in her some creative tension but
shrinking creative tension; I also pictured her
living in a capillary somewhere in a human body.
Not hers.

Let me into your life
I am a wine jar and a drum.
Out of the goat's nose
flows the Ganga.

Slyly I remain
Slowly I go
Time is not a mistake.
You are right on the border.

Today we had darjeeling, Russian
Caravan and in the afternoon:
spinach oolong: a green day
smaller than an insert.

why is it
every word
has a meaning?
don't forget to pay for
any apples you take from the drawer.

he breathes out she reads aloud
she teaches him to read he remembers
hearing the Katzenjammer Kids
read aloud remembers seeing

in the little shop one
summer sat a little parrot
and next to the little parrot
sat a little man: a midget: he screamed

you mean the word five
means ten and ten means turquoise
while there is no word for that word
you cannot think of just now?

ok, these dice are one-inch
cubes (with rounded corners)
I found them in the street
in a fit of confusion

remember to tell Mason
I'm trying to bewitch him
with language; remember to look
in the mirror and see him: narrowly.

remember, Miu Miu, Miu Miu says
to herself reminding herself for fear
of wanting to forget: notice how good
he looks, his famous Crest of Ilium.

-- Jeff Wietor

Saturday, January 28, 2006

Miu Miu Wakes Then Sleeps Then Wakes



1

red bottle-brush bloom
but the midday sun's hidden
by this sudden storm



2

a sudden impulse
to phone my mother's mother
gone for 20 years



3

these asparagus stalks
still wet from last night's rain
the first taste of spring



4

the sound-bytes of war
reflected in the TV
you face nothing more



5

effigies of doves
an unsteady staccato
from helicopters



6

long-stem strawberries
in a white ceramic bowl
given by sunlight



7

middle of the night
dripping sounds from the kitchen
water the cactus



8

middle of the night
fog horns from the Pacific
comforting sameness

-- Jeff Wietor

Friday, January 27, 2006

Whit Reads an O'Hara Poem to Mason



A City Winter

1

I understand the boredom of the clerks
fatigue shifting like dunes within their eyes
a frightful nausea gumming up the works
that once was thought aggression in disguise.
Do you remember? then how lightly dead
seemed the moon when over factories
it languid slid like a barrage of lead
above the heart, the fierce inventories
of desire. Now women wander our dreams
carrying money and to our sleep's shame
our hands twitch not for swift blood-sunk triremes
nor languorous white horses nor ill fame,
but clutch the groin that clouds a pallid sky
where tow'rs are sinking in their common eye.

2

My ship is flung upon the gutter's wrist
and cries for help of storm to violate
that flesh your curiosity too late
has flushed. The stem your garter tongue would twist
has sunk upon the waveless bosom's mist,
thigh of the city, apparition, hate,
and the tower whose doves have, delicate,
fled into my blood where they are not kissed.

You have left me to the sewer's meanwhile,
and I have answered the sea's open wish
to love me as a bonfire's watchful hand
guards red the shore and guards the hairy strand,
our most elegant lascivious bile,
my ship sinking beneath the gutter's fish.

3

How can I then, my dearest winter lay,
disgorge the tasty worm that eats me up
falling onto the stem of a highway
whose ardent rainbow is the spoon's flat cup
and in the vilest of blue suited force
enamored of the heated needle's arm
finds the ministrant an own tongue's remorse
so near the blood and still so far from harm,
thus to be eaten up and gobbled down
volcanoes of speedometers, the strike
that heats the iris into flame and flow'rs
the panting chalice so a turning pike:
you are not how the gods refused to die,
and I am scarred forever neath the eye.

4

What are my eyes? if they must feed me, rank
with forgetting, in the jealous forest
of lustrous blows, so luminously blank
through smoke and in the light. All faint, at rest,
yet I am racing towards the fear that kills
them off, friends and lovers, hast'ning through tears
like alcohol high in the throat of hills
and hills of night, alluring! their black cheers
falling upon my ears like nails. And there
the bars grow thick with onanists and camps
and bivouacs of bears with clubs, are fair
with their blows, deal death beneath purple lamps
and to me! I run! closer always move,
crying my name in fields of dead I love.

5

I plunge deep within this frozen lake
whose mirrored fastnesses fill up my heart,
where tears drift from frivolity to art
all white and slobbering, and by mistake
are the sky. I'm no whale to cruise apart
in fields impassive of my stench, my sake,
my sign to crushing seas that fall like fake
pillars to crash! to sow as wake my heart

and don't be niggardly. The snow drifts low
and yet neglects to cover me, and I
dance just ahead to keep my heart in sight.
How like a queen, to seek with jealous eye
the face that flees you, hidden city, white
swan. There's no art to free me, blinded so.

-- Frank O'Hara

Thursday, January 26, 2006

Miu Miu Reads a Little St. John Perse



"Drunken, the more drunken, you were saying, for
denying drunkenness. . . ."
One again a man arises in the wind. His word as brief
as the splintering of bone. His foot already angled on its
course. . . .

"Ah, yes, all things torn loose! Let it be told among
the living!
Above all in the lower districts -- this matter is of
importance.
And you, new men, what are you going to do with
the heavy braids unbraided over the brow of the
repudiated hour?
Those who dreamed dreams in their rooms went to
bed last night on the other side of the century, facing
the adverse moons.
Others have drunk the new wine in fountains painted
with red lead. And we were of those. Any may the sadness
that we were be dissolved in the new wine of men,
as in the festivals of the wind!
Ended the dream wherein the Dreamer marvels
throughout his watch.
Our salvation is in the haste and the canceling out.
Impatience is everywhere. And over the Dreamer's
shoulder the indictment of dream and inertia.

Let them bring us from the Marches men of great
power, reduced by inaction to the profession of Enchanter.
Unpredictable men. Men assailed by the god. Men
nourished on the new wine and as though transfixed by
lightning.

-- Saint-John Perse

Wednesday, January 25, 2006

Miu Miu Looks Around Her Apartment



on the cupboard shelf
last winter's pomegranate
an unasked question

-- Jeff Wietor

Tuesday, January 24, 2006

Miu Miu Talks Back to Her Photoshop



Tonight seems such a long time ago
even as time passes I wait in public
gritting my teeth hoping to discover
the potentiality of rotating images

To answer complaints rising slowly like
masterpieces of decision I continue to
reject the conceivable for the concept of
continuity wishing for transformation

Baghdad had already been the site of
many book-burnings, mostly of works
deemed heretical. In 923 fourteen sacks of
heretical works, outside the palace gate

To change from the thing into not a thing
seductive whispers slither lightly tickling the
skin, a surge of funk our sole source of shape-
shifting a surge of break beats a divergent guitar

Forever is our grief our wish to know our wish to
be atmospheric and to know is to know time and
knowing know time passes as time passes ambitiously
like a genre of music scalding us with licks and quivers

There remain no images to remind the unknown only
the known and reinvention of the known will succeed
I'll mention a few loose couplings of the known in
order to remind you of what defies knowing:

Baghdad had already been the site of lyrical surges
of heretical break beats like a genre of music shifting
like the mewing of a cat trapped between the whisper
and the rumor and grief tumbling down

To change seductively these whispers producing an impact
a feature a stereoscopic film electrified to soothe or excite
Monsters from the Grave Monsters from Grace Monsters
and their trademarks: pain, loneliness, and operatic death

Thought is not like that and our thought though willing is
unlike the thought of Heidegger or Wittgenstein; we only apply
the nature of perception, and the structure of subjectivity;
known all known through learning through time nothing remains

There remain no images to remind the unknown only
a feature a stereoscopic film electrified to soothe or excite:
It's the fate of Baghdad through time to face sackings
from time our bodies too mewing with rumors and grief.

-- Jeff Wietor

Monday, January 23, 2006

Miu Miu Says Why She's Thinking About Suicide



Not because it's cold and rainy today & I'm in a cozy
office in Oakland; not because I don't understand a Thing!! about
Any of the Tasks at hand; not because the sound of people's voices seem
distant and far away & certainly not because I'm hungry for Mango
flavored ice cream.

What warms my heart my soul and my craving which used to turn itself to
discos, dances, warm flesh & electronic music is this:

just to close my eyes and realize what it means to
rest in peace.

The next time you're asked: what do you envision yourself doing for
work & you say: to be creatively involved with ideas and materials; to
do "good" & communicate with people & you hear in response: no really,
what kind of job do you really want.

consider not being alive as a better answer.
bitter
unconnected
& drowning in despair
because the inability to be specific
is killing you

-- Jeff Wietor

Sunday, January 22, 2006

Former Acquaintance



who will take acquaintance of my woes.
why do they always call a ship she.

more than mere recognition
less than familiarity or intimacy

do you like to fly --
make this night a dragon

-- Jeff Wietor

Saturday, January 21, 2006

Speaking Acquaintances



I'm inclined not to want to talk to
people on the street wearing surgical masks.
I believe their noses have been chopped off,
prefer to not know the truth and suspect
I may have known them, once, in kindergarten.

-- Jeff Wietor

Friday, January 20, 2006

Still Life of a Conversational Legend w/5 Red Apples



5 4s 6 2s 7 Bs
23 grays 15 blue Cs
521 yellow Zs 4 Rs

29 red electric 228s
a 423 silver E
1 January 20th 2006

15 2s w/yellow green Fs
blue 22s at 71 or 403
78 or 33 or 45 white 7s

Indigo 8 with 19 1001s
14 CDs 15 B52s Ruddy
R128 Lj5s; Mx Blue

There is one way of avoiding
at least partly
the occult appearance of

the process of thinking
& it is
to replace in these processes

any working of the
imagination by acts of
looking at real objects


-- Jeff Wietor

Thursday, January 19, 2006

Neither Tom Welling nor Brad Pitt Phoned Today



nor Michael, David or
Sally for that matter --
I did have a dream about

riding on the back of
Nandi listening to Arctic Monkeys
singing

whatever people say I am
that's what I'm not
"I bet you look good on the dancefloor"

Clark isn't doing well
you can see he's bottling up
his sadness

How do engineers determine
the location of the center of gravity
for an aircraft which they are designing?


A symmetrical moniker;
I get all excited and then it passes;
I like hairy boys;

a burst of real fruit juice;
a pink high heel;
a blue blaze of eyes;

for practical purposes
just say your center of gravity
is here --

then point
like the angel of vengence
to your solar plexus

-- Jeff Wietor

Wednesday, January 18, 2006

Talk of Independence



boys lie
they tell you anything they want
to get you into

a language of their own
consisting entirely of
nouns

what was it I wanted
to remember this morning
that I've now forgotten


listen:
how did I happen to end up
looking like Anthony Hopkins

spending the day
concerned about knowing
knowledge & understanding

being in new ways
new concerns
fresher more alert reasonings

tickled by a cat hair
spinning a gold ring
on my finger

inexperienced in the ways
of making things happen and
forgetting my lines

contemplating the order of need:
pencil paper rock
scissors cat window rhubarb

understudy telephone soup
Korean BBQ dark stuff in your past
I don't know something subtle

you know I'm able to read &
comprehend I'm learning that
you must imagine an expansion to

this language; these, this; the
pointing gesture --
cleaning his ears with a Ticonderoga 2

a new feeling today:
being in the past just like it is
now, that sort of backward experience

or believing you're telling me the
truth only when you lie to me
or being close to "the family"

because you're somehow in command
of position & fear the experience of
feeling because you'll be sunburned

countless elucidations shine
shine like the star you are --
you're Romeo not Hamlet with questions

-- Jeff Wietor

Tuesday, January 17, 2006

Talk My Loving Lovely Today



all that now
never made sense
to me

it's a scenario
any American
would love

is there an
alternative to
aging?

I'm stuffed up
and so
congested

I have only
ten minutes
to begin again

this: the real
deal; much like
a novel of thank you

what's still
ahead this morning
is still ahead

-- Jeff Wietor

Monday, January 16, 2006

Pillow Talk :: Adam to Whit



Adam:
I am made of magic
maybe & mulberry
root

Whit:
I like licking
like licking and

liking
you

Sunday, January 15, 2006

To Himself Adam Talks Tabula Rosa



he stripped then
sprang
Louganis-like
into bed

white as a lilac
eros moved remarkably
through him

sprung

a night breeze
sang
stardust

a pair of socks plus one
lay
balled on the lawn

can you believe
what he's
done to me

suddenly I felt him
spring
in my heart

-- Jeff Wietor

Saturday, January 14, 2006

Conversational Interlude Intrudes Adam & Whit



A fronte praecipitium a tergo lupi
getting ready for bed; a pair of warm pajamas
Adam reminds me, tease. taunt & tickle me:

"between futile speculation and unconsidered action"
correct me if I'm wrong
"I knew a man once did a girl in"

"have you noticed the cherry blossoms"
"again". "again and again". "again again".
pink clusters starry bursts.

pretty in confidence; casting a spell:
Springtime in the middle of Winter
San Francisco; bedazzled, a source of success

I find it difficult describing my situation
your situation, is it easier to describe?
describe to me your situation.

I forget what it was I was thinking about.
Was I in fact thinking about something?
Perhaps I just had the thought I was thinking.

When Adam says good night to me I say good night
to him; I feel at moments when I say good night
to Adam I have gained the capacity to act directly.

While Adam is preparing for bed I feel him struggling
with inner demons; as if demons have sprouted in him
in the dark of him about to flower

Within Adam is a seed of unplanned acceptance;
Adam is vigilant to his unplans and unknowing.
Adam unknows and unplans and is thus happy.

I am happy with Adam when Adam remembers I am his
brother; sometimes he can't remember which of
us is older; it matters that I don't want to lose him

it's hard for us to tell where my body leaves
off and his begins; we have a capacity to act
directly; we have a place to go with each other

-- Jeff Wietor

Friday, January 13, 2006

Wedded Conversation



Whit's private thoughts
privately thinking
Whit's lopsided traditional wonderments:

I am always disentangling myself from people.
I am compulsive with ideas, often confused,

sometimes vanity eats away at me
eats me
feeds me
clothes me
comforts me:

but not now, not today.

I feel knotted-up today.
Distant, vaguely lumpy, impersonal.
My teeth hurt with a hurt that
fascinates me.

I feel pain on the molecular level.
I feel pain in the smallest part of myself.

When I am in the deepest most hidden
reaches and regions of pain I put on a
body hugging wedding dress and go out to a leather bar.

I sit at the bar drinking beer from a bottle.
I talk to whoever talks to me.
I talk about how much I look like somebody else
and everyone agrees with me.

This is the moment
of my
life

-- Jeff Wietor

Thursday, January 12, 2006

Conversation Fandangos



Mason speaking freely:
Miu Miu what do you mean by "poisoned milk".
Miu Miu eagerly:
emotion gone bad.

Like a lioness the sun
Like a hawk the moon.

How will I fuse all these objects into a single object,
Adam says to Whit.

Remember Mason says to Miu Miu: objects are what we know, mean and think.

Miu Miu, her hair capturing sunlight:
and things are what we experience, see and can describe.

Whit insists that the immediate situation is where things happen and sometimes
refuses to believe Adam when Adam says he doesn't understand what states
of affair make him possible or rather makes it possible for him to love Mason.

In many ways these four people (4) are really two (2).
Only in the fabulousness of fully hate do they separate partially.

It's all so common says Miu Miu.

Yes, says Mason but we all live as though we have a secret understanding.

Adam says we need to find a thread out of the world.

Whit feels that which is not expressed through speech but
that by which speech is expressed is the best Club in town.

-- Jeff Wietor

Wednesday, January 11, 2006

Conversation with the Enemy



I am a living and tragic museum of
separation. You can describe me as
a yes it is hostile and threatening
creature full of shattered . . .

I checked the house. His clothes
were gone.


Two

What's to be done with Miu Miu: what's she wearing; is Mason athletic or not; is Adam forever amiable and understanding and what of his twin Whit who makes too much of everything; what do they look like even if they look like each other differently; are the three of them really four when it comes down to functionality?


Three

Brett Favre is not afraid of a 300 pound lineman.


Four

Let me have the evidence.


Five

Was it dismissed?
Upon looking into a mirror
he senses a deeply intoxicating kind of love


Six

Miu Miu must learn to fuse her ego with her
Self; and object world

Mason must remember to reflect upon his ego,
deny his Self; while fusing with the object world.

Adam and Whit must learn to separate themselves from
their mirror egos, false selves and accept or reject
the object world.

Oneness is not objectless.
What does it mean:
art is a mirror of nature.
is Mother Nautre in symbiosis?
Why is an infant blissfully unaware of a self
but fully in charge of an ego.

Miu Miu has a strangely masculine body.
Mason: a metro-sexual currency.
Adam could pass for some sort of sexually charged distilled water.
Whit a masculine condensation of muscular, equine, energy.

-- Jeff Wietor

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